Bibliography

1960s

Canaday, John. “Art: Pol Bury Sculptures at Lefebre’s (Ohlson at Fischbach),” The New York Times, New York City, 17 October, 1964

Gruen, John. New York Herald Tribune, New York City, 24 October 1964

Levin Kim. "Reviews and previews: New names this month," Art News, New York City, November 1964; p. 53

Preston, Stuart. "Art . . .," The New York Times, New York City, 17 October 1964; p. L 26

Rose, Barbara. "New York Letter," Art International, Lugano, Switzerland, December 1964; p. 50

Goossen, E.C. “Eight Young Artists,” Hudson River Museum and Bennington College, Bennington, VT, 1964 (catalog)

Kramer, Hilton. "Art: There’s Nothing Like Thinking Big Some Times (Ohlson at Fischbach)," The New York Times, New York City, Saturday, 12 March 1966; p. L 23

Burton, Scott. "Reviews," Art News, New York City, April 1966, p. 18

Berkson, William. "In The Galleries," Arts Magazine, New York City, May 1966; p. 66

Lippard, Lucy R. "New York Letter,” Art International, Lugano, Switzerland, Summer 1966; p. 114

Lippard, Lucy. “The Ineluctable Modality of the Visible,” Art International, Vol. XI #6, Summer 1967; p. 24

Canaday, John. “Laser Beams, Etc., Take Stage for New Show (Ohlson at Fischback),” The New York Times, New York City, 4 February 1967; p. L 23

Genauer, Emily. New York Herald Tribune, New York City, 11 February 1967

Burton, Scott. "Doug Ohlson," 57th Street Review, New York City, 16 February 1967; pp. 4 and 5

Waldman, Diane. "Reviews and Previews," Art News, New York City, March 1967; p. 16

Burton, Scott. “A Different Stripe,” Art News, New York City, February 1968; p. 55

Burton, Scott. "Doug Ohlson: In the Wind," Art News, New York City, May 1968; pp. 38-39 and 67-70; with b/w repro. on p. 38, b/w portrait of the artist on p. 38, and color repro. on p. 39

Gruen, John. "Art in New York," New York Magazine, New York City, 10 June 1968; p. 21

Littlefield, T.H. "Two Decades of Artists Who Care About the Real," Times-Union, Albany, NY, 7 July 1968; p. E 3; with b/w repro. on p. E 3

Littlefield, T.H. "When Walls Matter," Times-Union, Albany, NY, 8 September 1968; pp. F 1 and F 3; with b/w repros

Mellow, James R. "New York Letter," Art International, Lugano, Switzerland, 20 September 1968; pp. 62 and 63

Perreault, John. "Art Notes," The Village Voice, New York City, 31 October 1968

Ashton, Dore. "Esempi recenti di pittura non oggettiva negli Stati Uniti," L'Arte Moderna, Milan, Italy, No. III, Vol. XIII, 1968; with color repro. on p. 105 and b/w repro. on p. 120

Battcock, Gregory (editor), Minimal Art: A Critical Anthology, E. P. Dutton, New York City, 1968; p. 165; with b/w repro. on p. 438

Battcock, Gregory, "The Art of the Real, The Development of a Style: 1948-68," Arts Magazine, New York City, June/Summer 1968; pp. 44-47; with b/w repro. on p. 47

Wasserman, Emily. "New York," Artforum, New York City, September 1968; p. 62; with b/w repro. on p. 62

Burton, Scott. "Reviews and Previews," Art News, New York City, April 1969; p. 22

Russell, David. "Art Abroad: London, Art of the Real and Avant-Garde," Arts Magazine, New York City, Summer 1969; pp. 51 and 52

Schjeldahl, Peter. "New York Letter," Art International, Lugano, Switzerland, 20 May 1969; p. 39; with b/w repro. on p. 39

Kulterman, Udo. The New Painting, Frederick A. Praeger, New York City, 1969; p. 54; with b/w repro. on p. 131

Glueck, Grace. "Trends Down, Sales Up," Art in America, New York City, March/April 1969; pp. 114-119; with color repro. on p. 116

Alloway, Lawrence; Delahoyd, Mary. “Concept,” Vassar College Art Gallery, Poughkeepsie, NY, 1969 (catalog)

1970s

Reeves, Jean. Buffalo Evening News, Buffalo, NY, 21 April 1970

Henry, Gerrit. "New York Letter," Art International, Lugano, Switzerland, 20 January 1971; pp. 40 and 41; with b/w repro. on p. 41

Ratcliff, Carter. "Reviews and Previews," Art News, New York City, January 1971; p. 56

Domingo, Willis. "Galleries". Arts Magazine, New York City, 4 February 1971; p. 55

Pincus-Witten, Robert. "New York," Artforum, New York City, April 1971; p. 74

Perreault, John. The Village Voice, New York City, 23 March 1972; p. 72

Shirey, David L. “A Close Examination of Feininger Prints (Ohlson at Fischbach),” The New York Times, New York City, 25 March 1972; p. 27

Rose, Barbara. "Art," New York Magazine, New York City, 3 April 1972; p. 63

Ratcliff, Carter. "New York Letter," Art International, Lugano, Switzerland, 20 May 1972; pp. 47 and 48; with b/w repro. on p. 50

Rosenstein, Harris. "Reviews and Previews," Art News, New York City, May 1972; p. 53

Forgey, Benjamin. "The Biennial: Color as Poetry," The Sunday Star and The Washington Daily News,Washington, D.C., 25 February 1973; pp. G and G8

Richard, Paul."A Visual Feast of Luscious Color," The Washington Post, Washington, D.C., 24 February 1973; pp. D1 and D3

Forgey, Benjamin. "The National Scene," Art News, New York City, April 1973; pp. 56 and 57

Smith, Roberta Pancoast. "Reviews," Artforum, New York City, May 1973; p. 84

Battcock, Gregory (editor). The New Art, A Critical Anthology, E.P. Dutton, New York City, 1973; pp. 231 and 232 

Baro, Gene. “The Way of Color,” Corcoran Gallery of Art, Washington, D.C., 1973 (catalog)

Frank, Peter, "On Art," The Soho Weekly News, New York City, 14 March 1974; p. 20

Ries, Martin. "Arts Reviews," Arts Magazine, New York City, May 1974; p. 66

Schjeldahl, Peter. “New Abstract Painting: A Variety of Feelings,” New York Times, 13 October 1974; p. D29

Kelly, Mary Lou. "Two holiday firsts for Boston: Sculpture from Rome, paintings from New York City, on view here,"The Christian Science Monitor, Boston, MA, 31 December 1974

Smith, Roberta. "Reviews," Artforum, New York City, February 1975; p. 65;with b/w repro. on p. 65

Ratcliff, Carter. "New York," Art Spectrum, Lugano, Switzerland, February 1975; p. 43; with b/w repro. on p. 43

Hess, Thomas B. “Eclecticism at the Barricades,” New York Magazine, New York City, 4 August 1975; p. 68

Frackman, Noel, "Arts Reviews," Arts Magazine, New York City, September 1975; p. 11

Zimmer, William, "Arts Reviews," Arts Magazine, New York City, September 1975; p. 14

Norland, Gerald. “Fourteen Abstract Painters,” U.C.L.A., 1975 (catalog)

Robins, Corinne. The SoHo Weekly News, New York City, 22 April 1976; p. 19

Perreault, John. The SoHo Weekly News, New York City, 8 April 1976; p. 19

Thorp, Charlotte. Arts Magazine, New York City, June 1976; p. 33

Ratcliff, Carter. "New York Letter," Art International, Lugano, Switzerland, Summer 1976; p. 54

Schjeldahl, Peter. "Review of Exhibitions," Art in America, New York City, September/October 1976; p. 111; with color repro. on p. 113

Russell, John. The New York Times, New York City, 7 January 1977; p. C 15

Perreault, John. The SoHo Weekly News, New York City, 3 February 1977; p. 18

Walls, Michael. "Doug Ohlson," brochure for the exhibition, Doug Ohlson Recent Paintings, Portland Center For The Visual Arts, Portland, OR 1977

Wolmer, Denise. "In the Galleries," Arts Magazine, New York City, May 1977; p. 66

Failing, Patricia. "Doug Ohlson: In Classic Abstract," Sunday Oregonian, Portland, Oregon, 18 December 1977; with b/w portrait of the artist

Lubell, Ellen. "Arts Reviews," Arts Magazine, New York City, February 1978; p. 35

Ratcliff, Carter. "Doug Ohlson's Color Condensations," Art in America, New York City, May/June 1978; pp. 100 and 101; with color repro. on p. 101

Ratcliff, Carter. "A Prejudiced Guide to the Art Market," New York Magazine, New York City, 27 November 1978; with b/w portrait of the artist on p. 68 and color repro. on p. 69

Pinot, Holly. New York Magazine, 17 September 1979; p. 49

Yoskowitz, Robert. "Arts Reviews," Arts Magazine, New York City, December 1979; p. 21

1980s

Russell, John. “Art: New 46-Foot Epic By Rosenquist on View (Ohlson and Scully at Susan Caldwell),”The New York Times, New York City, 23 January 1981; p. C 20

Yoskowitz, Robert. "Arts Reviews," Arts Magazine, New York City, March 1981; p. 25

Russell, John. “Art: ‘New Work New York’ at the New Museum (Ohlson at Susan Caldwell),” The New York Times, New York City, 19 March 1982; p. C 24

Goossen, Eugene C. Bennington College exhibition catalog, Bennington, Vermont, 1982

Hutton, Jon. "Dialogue; Conversations With Ray Parker and Doug Ohlson," Arts Magazine, New York City, April 1982; pp. 127-133; with b/w repro. on p. 127 and color repro. on pp. 130 and 131

Yoskowitz, Robert. "Arts Reviews," Arts Magazine, New York City, September 1982; p. 35

Campbell, Lawrence. "Review of Exhibitions," Art in America, New York City, May 1983; p. 169; with color repro. (printed upside down) on p. 169

Necol, Jane with Poirier, Maurice. "The 60s in Abstract: 13 statements and an essay," Art in America, New York City, October 1983; pp. 122-137; with color repro. on p. 128 and b/w portrait of the artist on p. 129

Iden, Peter with Lauter, Rolf. Bilder für Frankfurt, Bestandskatalog des Museums für Moderne Kunst, Prestel-Verlag, Munich, Federal Republic of Germany, 1985; p. 108; with color repro. on p. 109

Russell, John. "Toulouse-Lautrec: The Artist as Printmaker (Ohlson at Ruth Siegel)," The New York Times, New York City, 8 November 1985, p. C 23

Madoff, Steven Henry. Doug Ohlson Paintings, 1984 - 1985, catalogue of the exhibition, Ruth Siegel Ltd, New York City, October 1986

Klein, Ellen Lee. "Square and . . .," Arts Magazine, New York City; February 1987, pp. 108 - 109

Klein, Ellen Lee. "Doug Ohlson," Arts Magazine, New York City; April 1987, p. 111

Thompson, Walter. "Doug Ohlson at Ruth Siegel," Art in America, New York City, May 1987; p. 183 and 184; with a color repro. on p. 182 ( Marker/Regatta, 1986)

1990s

Thompson, Walter. "Doug Ohlson at Andre Zarre," Art in America, New York City, January 1991; pp. 130 and 131; with a color repro. on p. 131 (Spirit Lake, 1990)

Waller, Richard. “Doug Ohlson Recent Paintings,” Marsh Gallery, University of Richmond, Richmond, VA, 1992 (catalog)

Wei, Lilly. "Doug Ohlson at Andre Zarre," Art in America, New York City, April 1994, p. 118; color repro. on p. 118 (50/50, 1993)

Ratcliff, Carter. "Doug Ohlson at Andre Zarre," Art in America, New York City, June 1996; p. 99, color repro. on p. 100 (Steel Guitar, 1995)

Goossen, Eugene C. "Doug Ohlson's Painting," ArtNet Magazine, http://www.artnet.com/magazine_pre2000/features/ohlson/ohlson97-8-5.asp, 1997

2000s

Johnson, Ken. “Art Guide: Doug Ohlson at Andre Zarre,” The New York Times, New York City, 12 January, 2001, p. E51

Katz,Vincent. "Doug Ohlson at Andre Zarre," Art in America, New York City, July 2001, p. 100, color repro. on p. 102 (Ghost Light, 2000)

Naves, Mario. "Currently Hanging," The New York Observer, New York City, November 4, 2002; p. 19

Glueck, Grace. "Art in Review: 20 Years of Painting, 1982-2002," The New York Times, New York City, November 8, 2002; p. E37

Ratcliff, Carter. "Doug Ohlson's Fields of Meaning," Art in America, New York City, March 2003; pp. 106 - 109 and 151; color repro.s on pp. 106, 107, 108, 109

Johnson, Ken. “Art Guide: Doug Ohlson at Andre Zarre,” The New York Times, 11 June, 2004, p. E39